Judges

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  Ryo Sawayama

  (Art Critic)

  Born in 1982. In 2007 he completed a Master of Art degree at Musashino Art University Graduate School of Science of Design. In 2009, his essay “Labor-work: Carl Andre and His Concept of Art Making” was selected for first prize in the 14th Art Critic Essay Contest organized by BIJUTSUTECHO. He teaches part-time at both Musashino Art University and Tokyo Metropolitan University, and is a frequent contributor to articles, magazines, etc.

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  Risaku Suzuki

  (Photographer)

  Born in Shingu, Wakayama, in 1963. In 2000 he received the 25th Kimura Ihei Award in Photography for “PILES OF TIME.” His recent publications include “Water Mirror” (Case Publishing / Fine-Art Photography Association), “SAKURA” (edition nord), “Étude” (SUPER LABO), “Between the Sea and the Mountain – Kumano ” (amanasalto), “Ishiki no nagare” [Stream of Consciousness] (edition nord) and “Atelier of Cézanne” (Nazraeli Press).

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  Yoshihisa Tanaka

  (Graphic Designer and Artist)

  Born in 1980. His major work to date includes VI planning for Tokyo Photographic Art Museum and other cultural facilities, art direction of the POST bookshop and the TOKYO ART BOOK FAIR, and periodic creation of works as an artist. He is also active as half of the artist duo “Nerhol,” together with sculptor Ryuta Iida.

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  Kimi Himeno

  (Principal and director of AKAAKA Art Publishing)

  Established AKAAKA Art Publishing in 2006. To date the company has published more than 200 books, mainly photo books and art books. Publications include many recipients of the Kimura Ihei Award: Lieko Shiga (“CANARY” 2007); Atsushi Okada (“I am” 2007); Masashi Asada (“Asadake” 2008); Cozue Takagi (“MID” 2009; “GROUND” 2009); Arata Dodo (“Taigan” 2012); Ryuichi Ishikawa (“A Grand Polyphony” 2014; “okinawan portraits 2010-2012” 2014); and Aya Fujioka (“Here Goes River” 2017). Since 2018 she is also a professor at Osaka University of Arts.

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  Rei Masuda

  (Chief curator at The National Museum of Modern Art, Tokyo)

  Born in Kobe in 1968. Completed the graduate course in Area Studies at the University of Tsukuba. Since 1992 he has worked at The National Museum of Modern Art, Tokyo (MOMAT). Among exhibitions he has curated in recent years are: “Josef Koudelka Retrospective” (2013), “Narahara Ikko: Domains” (2014), and “Thomas Ruff” (2016).