Discovering the Next Generation of Young Graphic Designers
The 15th “1_WALL” Graphics Exhibition is part of an open competition for the right to mount a solo show at Guardian Garden. The exhibition will feature works by six finalists after two rounds of judging: the first round focusing on all entrants’ portfolios, and the second round consisting of one-on-one discussions between the graphic designers selected in the initial round and the judges. For this group exhibition, each finalist is allocated one wall on which to show his or her works.
The final round of judging will take place on October 5 (Wed), i.e. while the exhibition is in progress. During this round, which is open to the public, the six finalists will each give a presentation of his or her works, and the judges will then discuss the relative merits of the six contenders’ works and select the Grand Prize winner. The winner’s prize is the privilege of holding a solo show at the gallery one year later, together with the right to prepare an exhibition pamphlet.
As always, this latest in the series of “1_WALL Graphics Exhibitions” brings together a diverse array of modes of artistic expression. Itsuka Umemaru, using unique characters and graphics, visually depicts “Yomi-Yomi’s World.” Sawako Kageyama’s contribution is animation that unfolds on paper like a picture scroll. Ryosuke Kataoka expresses boxing scenes using geometric figures and abstract people. Kurokawa, focusing on the myriad expressive movements of the hand, has drawn a hand in 100 different poses. Miyuki Shigeno offers up 1-page comics reflecting her surrealistic worldview. And Minami Tsunogawa, by combining colors and shapes, presents a collection of two- and three-dimensional houses.
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Born in 1993. Currently concentrating in Graphic Design at Tokyo Zokei University.
Judges (in Japanese syllabary order)
Art director and artist engaging in a broad array of artistic activities: everything from the two to three dimensional, advertising, and clothing. Her works include design of Softbank’s “PANTONE∞“ and baby toys for Benesse Kodomo Challenge, and costume design for figure skater Daisuke Takahashi (2011). Among the many awards she has garnered to date are a JAGDA New Designer Award, “Hitotsubo Exhibition” Grand Prize, Taro Okamoto Award for Contemporary Art (Excellent Award), Good Design Award, and a D&AD Yellow Pencil Award (UK).
Graphic designer born in Kanagawa Prefecture in 1978. In 2003, upon graduating from Musashino Art University with a concentration in Basic Design, he established omomma. In addition to undertaking design work and video production, through exhibitions, workshops, performance, etc. he undertakes numerous projects probing new perceptions in language and the written word. In 2014 he won a JAGDA New Designer Award and Tokyo TDC Award. http://omomma.in/ (Japanese only)
Born in Fukaya City, Saitama Prefecture, in 1968. He creates a wide array of illustrations for magazines, advertising and other print media, web contents, etc. Among his most recent works are cover illustrations for BRUTUS, visuals for GU sales campaigns, and illustrations for radiko’s “Oto-genic” campaign. In addition to his commercial work, he has created a collection of his noncommissioned works, mounted solo exhibitions, and participated in many group exhibitions.
An experimental typography group formed in 1993 by Hidechika – the one with a beard but no surname – and Tetsuya Tsukada – the one with a surname but no beard. For 25 years now, they have been playing with writing systems, probing new concepts through their experiments in disarticulating, combining and reconfiguring the written word.
Kiyonori Muroga was born in Nagaoka, Niigata Prefecture, in 1975. Since 1999 he has performed editorial work mainly in planning related to graphic design, typography and visual culture. He also is engaged, internationally, in critique, lecturing and exhibition planning concerning those genres. Mr. Muroga formerly served as editor-in-chief of “IDEA” magazine. In recent years, he has been in charge of books such as The Next Form of Lettering Designs in Japan and Noritake’s WORKS. He is editor-in-chief of JAGDA’s “The Graphic Design Review” website.