Discovering the Next Generation of Young Photographers
Starting September 26 (Wed) Guardian Garden will host the 19th “1_WALL” Photography Exhibition, part of an open competition for the right to mount a solo show at the gallery. The exhibition will feature works by six finalists after two rounds of judging: the first round focusing on all entrants’ portfolios, and the second round consisting of one-on-one discussions between the photographers selected in the initial round and the judges. In this group exhibition, each finalist is allocated one wall on which to show his or her works.
The final round of judging will take place on October 12 (Fri), i.e. while the exhibition is in progress. During this round, which is open to the public, the six finalists will give presentations about their works, and the judges will then discuss the relative merits of the six contenders’ works and select the Grand Prize winner. The winner’s prize is the privilege of holding a solo show at the gallery one year later, plus 200,000 yen to prepare for the show.
The nineteenth exhibition in this series brings together an eclectic array of young photographers. Masami Ueda shot a continuum of photos in which the ocean, changing daily, overlaps with the rapidly occurring events of everyday life.H/N draws material from the newspaper and completes one work a day in her room.Sana Kohmoto photographs scenes of the kind we fail to take note of.Den Gai, using a large format camera, shot his birthplace that was abandoned when its oil reserves dried up.Mariko Hara shoots everyday indoor and outdoor scenes separated by a window.Tetra Marui expresses the ambiguity of gender through portraits.
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Graduated from Tamagawa University with a Bachelor’s Degree in Liberal Arts and Nippon Photography Institute.
Since 2017, Mr. Hiramoto has been showing his works at group exhibitions, etc. He won Grand Prize in the 20th “1_WALL” Photography Competition. Most recently he participated in PGI Summer Show 2019: “mono / tone” (Photo Gallery International, Tokyo).
Completed PhD coursework in the Department of Inter-Media Art at Tokyo University of the Arts.
Judges (in Japanese syllabary order)
Born in 1982. In 2007 he completed a Master of Art degree at Musashino Art University Graduate School of Science of Design. In 2009, his essay “Labor-work: Carl Andre and His Concept of Art Making” was selected for first prize in the 14th Art Critic Essay Contest organized by BIJUTSUTECHO. He teaches part-time at both Musashino Art University and Tokyo Metropolitan University, and is a frequent contributor to articles, magazines, etc.
Born in Shingu, Wakayama, in 1963. In 2000 he received the 25th Kimura Ihei Award in Photography for “PILES OF TIME.” His recent publications include “Water Mirror” (Case Publishing / Fine-Art Photography Association), “SAKURA” (edition nord), “Étude” (SUPER LABO), “Between the Sea and the Mountain – Kumano ” (amanasalto), “Ishiki no nagare” [Stream of Consciousness] (edition nord) and “Atelier of Cézanne” (Nazraeli Press).
Born in 1980. His major work to date includes VI planning for Tokyo Photographic Art Museum and other cultural facilities, art direction of the POST bookshop and the TOKYO ART BOOK FAIR, and periodic creation of works as an artist. He is also active as half of the artist duo “Nerhol,” together with sculptor Ryuta Iida.
Established AKAAKA Art Publishing in 2006. To date the company has published more than 200 books, mainly photo books and art books. Publications include many recipients of the Kimura Ihei Award: Lieko Shiga (“CANARY” 2007); Atsushi Okada (“I am” 2007); Masashi Asada (“Asadake” 2008); Cozue Takagi (“MID” 2009; “GROUND” 2009); Arata Dodo (“Taigan” 2012); Ryuichi Ishikawa (“A Grand Polyphony” 2014; “okinawan portraits 2010-2012” 2014); and Aya Fujioka (“Here Goes River” 2017). Since 2018 she is also a professor at Osaka University of Arts.
Born in Kobe in 1968. Completed the graduate course in Area Studies at the University of Tsukuba. Since 1992 he has worked at The National Museum of Modern Art, Tokyo (MOMAT). Among exhibitions he has curated in recent years are: “Josef Koudelka Retrospective” (2013), “Narahara Ikko: Domains” (2014), and “Thomas Ruff” (2016).