Discovering the Next Generation of Young Photographers
The 23rd “1_WALL” Photography Exhibition is part of an open competition for the right to mount a solo show at Guardian Garden. The exhibition will feature works by five finalists after two rounds of judging: the first round focusing on all entrants’ portfolios, and the second round consisting of one-on-one discussions between the designers selected in the initial round and the judges. For this group exhibition, each finalist is allocated one wall on which to show his or her works.
Live streaming of the final round of judging will take place while the exhibition is in progress. During this round, which is open to the public, the five finalists will give presentations of their works, and the judges will then discuss the relative merits of the five contenders’ works and select the Grand Prize winner. The winner’s prize is the privilege of holding a solo show at the gallery one year later, plus 300,000 yen to prepare for the show.
The twenty-third exhibition in this series brings together an eclectic array of five young photographers. Sei Katori, who grew up near the border between two prefectures, created a visual record, approximately 13 hours long, on the theme of borderlines. Chihiro Kihara pondered the meaning of religious faith based on her own experiences, taking photographs of Buddhist temples and Tibet’s Mount Kailash. Yasuhiro Sakuma took portraits of people he met at the Tama River. Disheng Zeng shot photos of his grandfather’s house in his native China. Manami Hasegawa photographed a rock, mulling over the beliefs and legends associated with it.
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Chihiro Kihara was born in Fukuoka Prefecture in 1985.
She graduated from Doshisha University’s Faculty of Social Studies, Department of Education and Culture.
In 2018, she was awarded a Special Prize at the Shiogama Photo Festival.
In 2021, she received the 1st Fugensha Photo Award Grand Prize as well as the Grand Prize at the 23rd “1_WALL” Photography Competition.
Judges (in Japanese syllabary order)
As a curator at the Izu Photo Museum, he has organized exhibitions including “Nobuyoshi Araki Photobook Exhibition: Ararchy,” “Manabu Miyazaki: The Pencil of Nature” and “Tazuko Masuyama: Until Everything Becomes a Photograph.” He also curated “It’s a Small World: Imperial Festivals and Human Exhibitions.” He directed the documentary film “The Man Who Became a Camera: Photographer Takuma Nakahira,” and is recipient of the Koen Shigemori Photography Critic Award and The Photographic Society of Japan’s Scholastic Achievement Award, among others. He is an Associate Professor at Tokyo Polytechnic University and a Part-time lecturer at Kanagawa University and others.
Born in Chiba Prefecture. Studied Literature at Waseda University under Osamu Hiraki. In 1998, she participated as a volunteer at the Higashikawa International Photo Festival, and from 2003 through 2010 served as the festival’s on-site production leader and assistant director. Since the winter of 1998, she has been involved in work relating to photographic preservation and display at Photo Gallery International (PGI), where as Director she is in charge of exhibition planning and operation.
Born in 1980. His major work to date includes VI planning for Tokyo Photographic Art Museum and other cultural facilities, art direction of the POST bookshop and the TOKYO ART BOOK FAIR, and periodic creation of works as an artist. He is also active as half of the artist duo “Nerhol,” together with sculptor Ryuta Iida.
Born in Kobe in 1976. Traveling the globe, through his camera lens he continuously depicts the ongoing relationship between man and nature tracing back to ancient times. Since 2001 the focus of his work has been numerous exhibitions both in Japan and abroad. His photo collections include SMOKE LINE (AKAAKA), Storm Last Night (AKAAKA) and Elnias Forest (handpicked). He currently serves as a Visiting Professor at Osaka University of Arts.
Born in 1971 in Saitama City, currently living in Naha, Okinawa. In 1994 she graduated from Nihon University’s College of Art, Department of Photography. She began production of photographic works during he university years, and has been active both in Japan and abroad mainly with exhibitions of her works. She has also participated in numerous international exhibitions of contemporary art, most recently the 21st Biennale of Sydney, “SUPERPOSITION: Equilibrium & Engagement” (2018).