Discovering the Next Generation of Young Graphic Designers
The 11th “1_WALL” Graphics Exhibition is part of an open competition for the right to mount a solo show at Guardian Garden. The exhibition will feature works by six finalists after two rounds of judging: the first round focusing on all entrants’ portfolios, and the second round consisting of one-on-one discussions between the graphic designers selected in the initial round and the judges. Each finalist is allocated one wall on which to show his or her works.
The final round of judging will take place on October 8 (Wed), i.e. while the exhibition is in progress. During this round, which is open to the public, the six finalists will each give a presentation of his or her works, based on which the judges will select the Grand Prix winner. The winner’s prize is the privilege of holding a solo show at the gallery one year later, plus the right to prepare an exhibition pamphlet.
The eleventh exhibition in this series brings together a colorful array of works by the six finalists: kitsch and abundantly humorous portraits drawn by tracing the same human image over and over again; drawings of fuzzy images, before becoming words, made from simple lines like balloons and bubbles; everyday items and people depicted in fine detail by scraping away, by needle, paint rubbed onto plaster or a ceramic board; etc.
The 6 Finalists
*At the open round of final judging on October 8, Akane Nakajima was selected as the Grand Prix winner.
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Born in 1993. Currently a third-year student at Musashino Art University majoring in Oil Painting.
Born in 1992.
2014 grand prize for the 11th graphics “1_Wall” competition, Guardian garden gallery
2015 graduated from Musashino Art University, Collage of Art and Design, Dept. of Visual communication design.
Judges (in Japanese syllabary order)
Art director and graphic designer born in 1967. Graduated from Tama Art University with a concentration in Graphic Design. After working at Nippon Design Center, he established Iyama Design. His major clients include Shueisha Inc. (“Natsu Ichi”), Kamoi Kakoshi Co., Ltd. (“mt”) and The Institute of Medical Science of The University of Tokyo. Among the many awards he has won to date are the JAGDA New Designer Award, Cannes Lions International Festival of Creativity Gold Lion, SPIKES ASIA Grand Prix, New York ADC Gold Award, CLIO Gold Award and Japan Sign Design Association (SDA) Award First Prize.
Graphic designer born in Kanagawa Prefecture in 1978. In 2003, upon graduating from Musashino Art University with a concentration in Basic Design, he established omomma. In addition to undertaking design work and video production, through exhibitions, workshops, performance, etc. he undertakes numerous projects probing new perceptions in language and the written word. In 2014 he won a JAGDA New Designer Award and Tokyo TDC Award. http://omomma.in/ (Japanese only)
Illustrator born in Tokyo in 1962. A graduate of Musashino Art University, between the 1980s and into the new millennium he garnered numerous awards in graphics competitions and for his contributions to advertising. In 2010 he mounted the exhibition “New Eidos,” followed in 2013 by “Jun Tsuzuki x Hideki Nakazawa.” In 2015 he held a lecture on “After New Eidos / An Investigation of 1980-2000.” He supervised and contributed to “Nihon Irasutore-shonshi” [A History of Japanese Illustration]. He also supervises and appears on NHK’s “Art 1” program for high school students.jti.ne.jp
Illustrator born in Tokyo in 1970. After graduating from Tama Art University, where she majored in Textile Design, she became active in diverse areas including: as an illustrator, providing cover art and illustrations for books; writing essays relating to the cinema; and creating manga. She also serves as Associate Professor in the Visual Design program of Joshibi University of Art and Design.
Kiyonori Muroga was born in Nagaoka, Niigata Prefecture, in 1975. Since 1999 he has performed editorial work mainly in planning related to graphic design, typography and visual culture. He also is engaged, internationally, in critique, lecturing and exhibition planning concerning those genres. Mr. Muroga formerly served as editor-in-chief of “IDEA” magazine. In recent years, he has been in charge of books such as The Next Form of Lettering Designs in Japan and Noritake’s WORKS. He is editor-in-chief of JAGDA’s “The Graphic Design Review” website.
Organizer: Guardian Garden